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		<title>The GCC Conference 2021: Decarbonising the Art World</title>
		<link>https://www.hallettindependent.com/post/the-gcc-conference-2021-decarbonising-the-art-world/</link>
		
		<dc:creator><![CDATA[Elena Carofyllakis]]></dc:creator>
		<pubDate>Mon, 06 Dec 2021 11:26:00 +0000</pubDate>
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					<description><![CDATA[<p>The post <a href="https://www.hallettindependent.com/post/the-gcc-conference-2021-decarbonising-the-art-world/">The GCC Conference 2021: Decarbonising the Art World</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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                <p>The Hallett Independent team were pleased to attend the recent Gallery Climate Coalition (GCC) conference, held at the Barbican on the 24th November.</p>
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                            <article class="article-text"><p>Nathanael and Tom joined 250 other delegates all with an appetite to tackle the art industry’s contribution to climate change, specifically how to achieve the GCC’s aim of reducing the artworld’s carbon emissions by a minimum of 50% by 2030.</p>
<p>We have been involved in the discussions around how low carbon shipping &#8211; sea freight &#8211; can be made safer and more accessible to galleries and other art companies. Watch this space for more info.</p>
<p>You can watch a full recording of the event <a href="https://galleryclimatecoalition.org/video/21/" target="_blank" rel="noopener">here</a>.</p>
<p>‍</p>
<p><em>Image caption: Panellists, Lucia Pietroiusti, Haroon Mirza, Jessica Sweidan, Gus Casely-Hayford and Fiona Banner discussing the role of art in social and environmental change with moderator, Louisa Buck.                         </em></p>
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<p>The post <a href="https://www.hallettindependent.com/post/the-gcc-conference-2021-decarbonising-the-art-world/">The GCC Conference 2021: Decarbonising the Art World</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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		<title>Spotlight on: Chisenhale Gallery</title>
		<link>https://www.hallettindependent.com/post/spotlight-on-chisenhale-gallery/</link>
		
		<dc:creator><![CDATA[Elena Carofyllakis]]></dc:creator>
		<pubDate>Wed, 10 Nov 2021 11:20:00 +0000</pubDate>
				<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[galleries]]></category>
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					<description><![CDATA[<p>The post <a href="https://www.hallettindependent.com/post/spotlight-on-chisenhale-gallery/">Spotlight on: Chisenhale Gallery</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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                    <div class="intro">
                <p>Here at Hallett Independent, we are passionate about supporting public art institutions. This is the first in our new Spotlight series where we will escape into the art world to catch a glimpse of what the galleries we support are getting up to.</p>
            </div>
                            <article class="article-text"><p>Hallett Independent is a patron of the Chisenhale Gallery and here we look back at one of their recent installations by Abbas Akhavan <em>Curtain Call, Variations on a Folly</em>.</p>
<p>With an award winning 39-year history as one of London’s most innovative forums for art, the Chisenhale Gallery has an experimental vision and commissions and produces contemporary art.</p>
<p>It believes in making cultural impact through working with artists, developing ideas in tandem from concept to completion. Located in a dynamic and creative residential neighbourhood in the heart of London’s East End, the Gallery is an evolving space for experimentation, transformed by each artist’s commission.</p>
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                            <article class="article-text"><p><em>Curtain call, variations on a folly,</em> was a commission by Montréal-based artist Abbas Akhavan. He filled the gallery with a large chroma key green screen (usually used to construct digital images) stage with an infinity wall and a series of column shaped sculptures made of cob, an ancient building material made of subsoil, water and straw. The cob installation is based on that of the colonnade that once approached the monumental Arch of Palmyra, a 2,000-year-old heritage site in Syria. The arch is thought to have been destroyed by Islamic State militants in 2015.</p>
<p>The green screen and cob used in the exhibition sit at opposite ends of the material spectrum, shifting perception through the manipulation of visual and sonic perspectives, Akhavan’s installation acts as a potential portal, where the green screen stage repositions the cob sculptures as placeholders that have the possibility to exist in any given space. A symbol of lost cultural legacy.</p>
<p>See what’s currently on at Chisenhale Gallery: <a href="https://chisenhale.org.uk/whats-on/">chisenhale.org.uk/whats-on</a></p>
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<p>The post <a href="https://www.hallettindependent.com/post/spotlight-on-chisenhale-gallery/">Spotlight on: Chisenhale Gallery</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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