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		<title>Spotlight on: Chisenhale Gallery</title>
		<link>https://www.hallettindependent.com/post/spotlight-on-chisenhale-gallery/</link>
		
		<dc:creator><![CDATA[Elena Carofyllakis]]></dc:creator>
		<pubDate>Wed, 10 Nov 2021 11:20:00 +0000</pubDate>
				<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[galleries]]></category>
		<guid isPermaLink="false">https://www.hallettindependent.com/?p=372</guid>

					<description><![CDATA[<p>The post <a href="https://www.hallettindependent.com/post/spotlight-on-chisenhale-gallery/">Spotlight on: Chisenhale Gallery</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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                <p>Here at Hallett Independent, we are passionate about supporting public art institutions. This is the first in our new Spotlight series where we will escape into the art world to catch a glimpse of what the galleries we support are getting up to.</p>
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                            <article class="article-text"><p>Hallett Independent is a patron of the Chisenhale Gallery and here we look back at one of their recent installations by Abbas Akhavan <em>Curtain Call, Variations on a Folly</em>.</p>
<p>With an award winning 39-year history as one of London’s most innovative forums for art, the Chisenhale Gallery has an experimental vision and commissions and produces contemporary art.</p>
<p>It believes in making cultural impact through working with artists, developing ideas in tandem from concept to completion. Located in a dynamic and creative residential neighbourhood in the heart of London’s East End, the Gallery is an evolving space for experimentation, transformed by each artist’s commission.</p>
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                            <article class="article-text"><p><em>Curtain call, variations on a folly,</em> was a commission by Montréal-based artist Abbas Akhavan. He filled the gallery with a large chroma key green screen (usually used to construct digital images) stage with an infinity wall and a series of column shaped sculptures made of cob, an ancient building material made of subsoil, water and straw. The cob installation is based on that of the colonnade that once approached the monumental Arch of Palmyra, a 2,000-year-old heritage site in Syria. The arch is thought to have been destroyed by Islamic State militants in 2015.</p>
<p>The green screen and cob used in the exhibition sit at opposite ends of the material spectrum, shifting perception through the manipulation of visual and sonic perspectives, Akhavan’s installation acts as a potential portal, where the green screen stage repositions the cob sculptures as placeholders that have the possibility to exist in any given space. A symbol of lost cultural legacy.</p>
<p>See what’s currently on at Chisenhale Gallery: <a href="https://chisenhale.org.uk/whats-on/">chisenhale.org.uk/whats-on</a></p>
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<p>The post <a href="https://www.hallettindependent.com/post/spotlight-on-chisenhale-gallery/">Spotlight on: Chisenhale Gallery</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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		<title>The GCC Conference 2021: Decarbonising the Art World</title>
		<link>https://www.hallettindependent.com/post/the-gcc-conference-2021-decarbonising-the-art-world/</link>
		
		<dc:creator><![CDATA[Elena Carofyllakis]]></dc:creator>
		<pubDate>Mon, 06 Dec 2021 11:26:00 +0000</pubDate>
				<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[event]]></category>
		<guid isPermaLink="false">https://www.hallettindependent.com/?p=379</guid>

					<description><![CDATA[<p>The post <a href="https://www.hallettindependent.com/post/the-gcc-conference-2021-decarbonising-the-art-world/">The GCC Conference 2021: Decarbonising the Art World</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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                    <div class="intro">
                <p>The Hallett Independent team were pleased to attend the recent Gallery Climate Coalition (GCC) conference, held at the Barbican on the 24th November.</p>
            </div>
                            <article class="article-text"><p>Nathanael and Tom joined 250 other delegates all with an appetite to tackle the art industry’s contribution to climate change, specifically how to achieve the GCC’s aim of reducing the artworld’s carbon emissions by a minimum of 50% by 2030.</p>
<p>We have been involved in the discussions around how low carbon shipping &#8211; sea freight &#8211; can be made safer and more accessible to galleries and other art companies. Watch this space for more info.</p>
<p>You can watch a full recording of the event <a href="https://galleryclimatecoalition.org/video/21/" target="_blank" rel="noopener">here</a>.</p>
<p>‍</p>
<p><em>Image caption: Panellists, Lucia Pietroiusti, Haroon Mirza, Jessica Sweidan, Gus Casely-Hayford and Fiona Banner discussing the role of art in social and environmental change with moderator, Louisa Buck.                         </em></p>
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<p>The post <a href="https://www.hallettindependent.com/post/the-gcc-conference-2021-decarbonising-the-art-world/">The GCC Conference 2021: Decarbonising the Art World</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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		<title>Hallett Independent partners with Connect Art Fair</title>
		<link>https://www.hallettindependent.com/post/hallett-independent-partners-with-connect-art-fair/</link>
		
		<dc:creator><![CDATA[Elena Carofyllakis]]></dc:creator>
		<pubDate>Thu, 10 Mar 2022 11:28:00 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Announcement]]></category>
		<category><![CDATA[Spotlight]]></category>
		<guid isPermaLink="false">https://www.hallettindependent.com/?p=382</guid>

					<description><![CDATA[<p>The post <a href="https://www.hallettindependent.com/post/hallett-independent-partners-with-connect-art-fair/">Hallett Independent partners with Connect Art Fair</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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                    <div class="intro">
                <p>Connect, London’s Independent Art Fair, is different. It’s run by art dealers and aims to bring exhibitors and buyers together in an informed and refreshing way and Hallett Independent is excited to announce it will be partnering with this exciting Art Fair once again. Hallett’s Clare Pardy caught up with Connect Fair’s founder Anna Wakerley to hear all about doing things differently.</p>
            </div>
                            <article class="article-text"><p>After an archaeology and art history degree at Cambridge and working with an established dealer in Victorian pictures, Anna set up her own small gallery in the early ‘80s. In spite of it paying its way and having proved both a good introduction to potential clients and a meeting point for local artists, domestic pressures and the school run meant that Anna had to give it up after a few years to work from home.</p>
<p>She decided at this point that rather than simply buy ‘names’ she would instead be guided by eye, instinct and ‘occasional misplaced optimism’. It was a propitious time for Modern British art; not only were many young and entrepreneurial dealers promoting artists like Dod Proctor and Laura Knight but also runners were supplying a steady flow of work from artists’ studios, ripe for promotion. It was in this climate that Anna established her raison d’être – a combination of work she admired and liked from unknown names, women, and East Anglian artists.</p>
<p>Armed with good cross section of stock, Anna took her pick of well-run specialist fairs such as the Works on Paper Fair and the 20/21 at the Royal College of Art. But then they tended to disappear or change, and many good, smaller dealers were suddenly left homeless.  That was when Anna decided that there was a real need for a fair aimed at smaller, specialist dealers like her and Connect was born in 2019.</p>
<p>Both Anna and her Connect partner, James Manning were keen to do something different with the Fair. They did not want to run it as a business but rather a co-operative, made up of a family of friends in which everyone contributes their expertise. They welcomed dealers who were completely new to the game, based outside London and from diverse specialist areas whether it be Japanese painting or Old Master drawings. Each dealer is encouraged to bring their own clients and the Fair provides a plentiful supply of Private view invitations and general tickets.</p>
<p>Anna is very aware of all the changes in the art market but remains optimistic that there will always be an audience for well-made art at affordable prices on offer in a friendly informal setting by approachable knowledgeable dealers. She hopes that she provides a place of discovery and education and an opportunity to fall in love with the unexpected.</p>
<p>We are delighted to be a partnering with the Connect Art Fair and look forward to discovering something new. For us at Hallett Independent, art is not merely a feature of the job, but an enriching part of our lives, as such we believe it’s our duty to support public art institutions and in particular independent art fairs and exhibitions like this one.</p>
<p>The Fair is being held at The Mall Galleries, London on 23 &#8211; 27 March, tickets are now on sale at www.connectartfair.co.uk</p>
<p>‍</p>
<p>Image credit: Development of a Square &#8211; Green by Sir Terry Frost RA, from Gwen Hughes Fine Art</p>
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<p>The post <a href="https://www.hallettindependent.com/post/hallett-independent-partners-with-connect-art-fair/">Hallett Independent partners with Connect Art Fair</a> appeared first on <a href="https://www.hallettindependent.com">Hallett Independent</a>.</p>
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